Student Teacher

My passion for Hip-Hop started with a crate digging kid who's dad used to be a DJ, but it blossomed when a few stolen moments after school, racing against the clock to download Lupe Fiasco's latest album and transfer it onto my iPod before my ride arrived that changed everything. Those brief minutes set the stage for something much bigger—a lifelong connection to a culture that spoke directly to me.
As an only child, I found solace and identity in the hidden layers of artists like Common, Talib Kweli, Mos Def, and Lupe. While everyone around me lived their lives soundtracked by the radio singles, I was diving down rabbit holes of discographies, searching for pieces of myself in their lyrics. Remnants of Baldwin, Hughes, and Gil Scott-Heron layered over the Jazz-sampled melodies remind me of who I am. It wasn’t just music; it was storytelling, culture, and a mirror reflecting the unspoken parts of my own experiences. Now, don't let that build a false narrative, I still like the hits and big singles, but that's for another day.

That same chase—the need to associate myself with something real, raw, and meaningful—is what drives me as a photographer. Hip-hop didn’t just teach me to listen; it taught me to observe, study the details, and pursue my craft with the same authenticity and dedication I saw in those artists. The other night, I saw that drive reflected in an opening act at a show. The artist, Pat G, was everything Hip Hop taught me to value: charismatic, authentic, and unrelentingly committed to his craft. He hyped the crowd, DJ’d his own set, worked his social media plugs mid-set, and made an unheated old Masonic temple venue feel alive. It was the passion that showed through. 

There was a moment, though, that stuck with me the most. At first, he performed in a varsity jacket, a practical move in the cold venue. A subtle nod back home to a much warmer Texas. But when he finally took it off, it was as though he had warmed up, both physically and metaphorically, stepping fully into his performance. By the end of his set, I had realized the rest of my group showed up, the rest of the place was packed, and his energy had shifted the room.What struck me even more was watching him backstage after his set. He was back in that same jacket, huddled up, peering through the curtain as Hip-Hop legends performed. He wasn’t just a fan; he was a student of the game. He studied every move, every transition, soaking in the craft like it was oxygen. The moment constantly escaped my lens through the night cuz it was just a little too dark, but I saw it and it brought me back to the jacket on the stage.

In that moment, I saw myself again—sitting on the bus, headphones in, studying lyrics not just for the music, but for the art of storytelling. That same energy fuels my pursuit of photography. I want to capture moments that feel as raw, alive, and authentic as Pat G’s set. I want my work to tell stories that resonate, just like Hip-Hop always has. The chase to be the best isn’t just about mastering a craft. It’s about staying a student of the game, always ready to learn, and carrying the culture forward in your own way. Whether it’s through a camera lens or a mic, the hustle never stops.

Pat G, take your flowers early. We see you!